Nolan has performed Edgardo in Lucia di Lammermoor with Winter Opera St. In Summer 2015, he joined the Apprentice Program at The Santa Fe Opera, covering both Narraboth ( Salome) and Teague in the world premiere of Jennifer Higdon's Cold Mountain. Nolan was a Resident Artist at Minnesota Opera performing Don José in Carmen and Trin in La fanciulla del West, in addition to covering Nemorino ( L'elisir d'amore) and taking part in the world premiere of Kevin Puts' The Manchurian Candidate. He returned to Santa Fe Opera, singing Tybalt in Roméo and Juliette under Harry Bicket, while covering Dick Johnson in La fanciulla del West under Emmanuel Villaume. He made his role/house debut as Bacchus in a new production of Ariadne auf Naxos at Theater Aachen and sang Don José in Carmen with El Paso Opera and in his European debut with Theater Kiel. Nolan made his Oper Frankfurt debut as the title role in Verdi’s Stiffelio and made his role debut as Cavaradossi in Tosca with the Fort Wayne Philharmonic. Additional recent engagements include a role/house debut as Canio in I pagliacci with Opera San José, Verdi Requiem with Lexington Philharmonic conducted by Scott Terrell and TŌN (The Orchestra Now), Act III of Lohengrin with the Victoria Symphony (Canada) conducted by Christian Kluxen, Act I of Die Walküre with the Harvard-Radcliffe Orchestra conducted by Federico Cortese, and was a feature soloist in Charlottesville Opera’s Encore: Opera Favorites conducted by Steven Jarvi.
9 with Jacksonville Symphony and the University of Florida, Defiant Requiem in Washington, DC, and return to University of Florida for Carmina Burana.Ĭooper made his Carnegie Hall debut in Elgar’s The Kingdom with the American Symphony Orchestra, Leo Botstein conducting followed by a return to Theater Aachen for Hermann in a new production of Pique Dame. In the 21/22 season Cooper will perform Beethoven’s Symphony No. Tenor Cooper Nolan, praised for his “bright, shining, tenor” ( Musical America) and his “powerhouse voice” ( Opera News), is increasingly making a name for himself as an important interpreter of some of opera's most demanding tenor roles.
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